



Winner of the Emerging Artist Prize
https://www.jacksonsart.com/paintingprize/jpp-2020/
“With this piece I was looking at ways to escape the really familiar landscape composition, and up close at how plants were somehow thriving in a marina bank. Next I created pencil studies to decide on the colours and composition. I rarely use the true colours, as it feels too familiar again. Instead I use new colour combinations, with similar tonal values. I decided on a warm red base, and then using colour triangle theory choose the other key colour ways; blue-violet and green-blue. The study also helps create an exaggerated reality, which is more interesting in the final piece.
The painting process is very time consuming, 90% done using a small brush. Rather than working into wet paint, I build up layers of clean colour, leaving glimpse of what went down before. I also describe the nature and volume of a plant or material, using patterns and by doing the negative space around it last. This means cutting in afterwards; like if you were to create a drawing by doing the white of the paper last. In turn the magic of this environment and the seemingly mundane plants, are celebrated by the attention to detail and the process.”
February/March 2020
https://www.hadfieldfineart.co.uk/conrad-clarke
‘SAME PLACE’ 6-12th November 2019.
An exhibition of work along side artist and friend Janet James.
Recent commission completed and framed. So lovely sending out a special piece into the world.
Exhibition View
The Places Left - Exhibition Flier 2017
Feature on my work in the GL Weekend Colour Supplement.
Exhibition - December 2015
Interview and feature in Cotswold Life, December 2015
LOVE magazine, Issue 10, August 2013 Portrait by Sølve Sundsbø www.thelovemagazine.co.uk
Some of my smaller pieces are up in Gusto Cheltenham.
THE TOMORROW PEOPLE 16th Oct – 8th Sep 2013- The Tomorrow People, Elevator Gallery, London (selected group show)
Winterzine, January 2013. Published by Art and Smoke www.artandsmoke.com